When I was a young movie obsessed teen my passion for learning how movies are made continued to push me behind the scenes, even as my love for the spotlight took full bloom. The thrill of the stage was all I cared about and the prospect of stepping into any number of characters and situations and exploring the possibilities was too exciting for me. I loved saying things I wouldn’t normally say. I loved making people believe I was who I said I was. Mostly though, I loved making people laugh and I was always thinking up ways to squeeze out another reaction from the crowd. No one had to tell me there are no small parts. Those were the ones that always intrigued me the most, but the responsibility to carry a show as the lead was also something I thankfully got to have a taste of. When I wasn’t in reheasals I spent a lot of time on my family’s brand new Gateway computer, playing a game called Steven Spielberg’s Director’s Chair. I learned so much about the process by experimenting with the game, which lets you make a movie from script writing to production, editing, foley, scoring, and finally screening. The game was also my very first introduction to an actor whose work in film would change me forever. He was the funny, charismatic, and brilliant Quentin Tarantino.
I can’t say enough great things about Quentin Tarantino. I love to hear the man speak. He is so positive and almost always has something constructive to say. He is a champion of the art of directing and also of screenwriting. He has an uplifting and productive attitude about what others are trying to accomplish. Meanwhile, he can take the most basic formula and elevate it to its most extravagant form. Tarantino is a man who understands potential and taps into the simplest truths that flow throughout the most complicated compositions. His work is art, a feat quite difficult in the entertainment industry, especially in regards to such consistency of quality and value. Quentin Tarantino is an incredibly talented writer and a remarkably skilled director. His latest film Django Unchained shows seasoning on a filmmaker whose directorial debut Reservoir Dogs helped to begin a revival of independent film, and whose award winning sophomore effort Pulp Fiction became an instant classic.
The man can be a bit awkward. There is a sense of something sort of alien about him– Like he studied everything about our planet by watching movies– and yet he seems so warm and enthusiastic and has genuinely interesting things to say. I love to hear Tarantino talk about anything. Whether he is defending his movie against ignorant, ratings hungry vultures, talking simply about what interests him, or threatening paparazzi, a youtube search always gives me the fix I need. Tarantino belongs in the spotlight. He provides terrific interviews and deserves to be a star. He can do just about any thing he wants and yet has not lost his way as a filmmaker. Success is a killer. You either get your way all the time and lose track of what works, or you become paralyzed at the thought of making a false step and do only what you think will be accepted. Tarantino has shown himself to be neither timid, nor arrogant in his pursuit to make beautiful, smart and enjoyable films.
Even Hitchcock, “Master of Suspense” has his duds. He’s really only known for about three movies. If you really like him you know of three more. Even great film makers who always turn out really good movies, rarely achieve the timelessness and sophistication that Tarantino always brings to the table. Whether he’s really great at listening to the right people, or just a naturally exceptional self editor. He manages to always make his movie, the way he wants to see it, and it always comes out a hit. Lots of names will draw me to a theater, many with high expectations: But not only am I never disappointed with the work Tarantino puts out, I savor it with joy.
Before I even appreciated him as a director I was drawn to him as a writer. The whole idea of Tarantino as this defiant screenwriter out to change the way movies were written didn’t quite match up with my perception. When I was first studying screenwriting it seemed like everyone around me was determined to learn nothing in an attempt to be original. When we got an assignment to examine structure in one of our favorite movies I chose Reservoir Dogs, just to show how textbook it was when viewed through the right lens. Like every other assignment in the course, I passed with flying colors. It was one of the few situations I found myself in where my odd way of looking at things finally paid off. I once had a writing teacher, who tried to say Longfellow was wrong to use the metaphor of footprints in sand for A Psalm of Life to symbolize leaving ones mark in history, because sand gets washed away and has no permanence. I was the quiet kid who (let’s face it) usually wasn’t paying any attention, but I couldn’t let it go uncontested. I explained “my take” on the poem, to which she quite seriously replied that I had given the author too much credit. She was the embodiment of the minds over the years that I refused to let shape me. If Tarantino had taken any college courses in writing, I wonder if he would have been discouraged, But that defiance, that rebelliousness so readily attributed to a high school drop out serves only to undermine the genius of an artist who has seriously done his homework. A true student of film from all over the world, Tarantino jeopardized a possible acting career by taking a steady job at Video Archives, a rental store in Manhattan Beach, California. There his expertise grew and flourished as he soaked up inspiration that would fuel one of the brightest burning talents the film industry would ever know. It’s also where he met the Co-writer of Pulp Fiction, Roger Avery.
My first introduction to Tarantino as a writer, was From Dusk ‘Til Dawn, directed by his friend Robert Rodriguez. If Hitchcock is the Master of Suspense, I strongly believe Tarantino should go down in history as the master of Tension. It may not go noticed because he has so many strengths in structure, dialogue, visual style… but take key scenes from Inglorious Basterds, Reservoir Dogs, and From Dusk ‘Til Dawn. Even if it’s just two people talking, you know something is going to happen. You may not know what, but something big is about to go down, and Tarantino knows, more than anything else, how to build on that until the perfect moment. In the first scene of my first movie written by tarantino I was scared. It’s just a Sherriff chewing the fat with a convenience store clerk, but it’s eerie as hell and before anything even happens you know something is going down. The prologue to Reservoir Dogs is the same way. It’s uneasy. All these guys sitting around the table, they’re bad guys and they don’t really know each other, when Mr. Blonde playfully shoots Mr. White, you get the distinct impression he might actually do it for realsies. It sets a remarkable tone for the rest of the film.
Prior to his meteoric rise to stardom and international acclaim he penned the scripts for True Romance (which came out the year after Reservoir Dogs with a star studded cast featuring appearances by Christopher Walken, Bradd Pitt, Dennis Hopper, Samuel L Jackson, Gary Oldman and Balki from Mypos) and Natural Born Killers. both were reworked but the first (directed by Tony Scott) was truer to Tarantino’s vision than the latter.
Still an actor at heart, Tarantino wrote the part of Mr. Pink for himself, even warned Buscemi that his audition better be “really good” In the end, Buscemi is just pasty skinned awesome sauce and Tarantino had to admit defeat, he still got a part, though, and still likes to give himself those little cameos which endears him to me even more than if he had subtle appearances as an extra or withdrew from the stage altogether. As a director, he is able to effectively translate his own writing for the audience, better than anyone else could. He pushes boundaries, fuses genres and is very visually dynamic, which compliments his vast content and well defined characters. His one adaptation, Jackie Brown, came hot on the heels of Pulp Fiction and though it was different from Pulp Fiction in the sense that Unbreakable was different from The Sixth Sense, It is was considered by Elmore Leonard to be the best adaptation of his work out of 26 films. A fan of Leonard, Tarantino was able to be true to the author’s work and make it undoubtedly his own in the process.
Clearly He has fun at his work and at the same time, takes it seriously and wants it done right. I don’t know how he strikes that magical balance of whimsy and restraint. There has been a lot of talk about his retirement, partially, due to the rise of digital projection. So dedicated is he to film that he bought a building housing the New Beverly Cinema to save it from redevelopment and ensure the theater will continue to use traditional projectors. He has said he plans to retire from film and become an author after the age of sixty, which would give us ten years and possibly two more films; But he also said he could stop at any time, though he thinks ten films provides a nice aesthetic for his filmography. He’s very dedicated to his own resume and doesn’t want to make a film that doesn’t belong there. You have to respect that. He seems to believe a director ages like wine– in terms of vinegar. I value that insight, except Django Unchained really showed off the fact that Tarantino has not only still got it, he’s better than ever. I can see how that sort of diligence and commitment to making an exceptional film would lead someone to thoughts of retirement, especially in interviews immediately following the film’s release. I know the Kill Bill films were something Quentin kind of thought of as a book and he has been interested in making a Volume 3, though he eventually said another film in the series is unlikely. Perhaps, when he does make the transition to author it will take the form of a novel. Since Michael Crichton passed, I have been on the lookout for a new author. I can’t say I won’t be sorry for the loss as far as film is concerned, but I will always celebrate his contributions with much enthusiasm and I view Quentin Tarantino as the greatest inspiration and his career the height of cinematic achievement.